The Samsung NX300 is its first interchangeable lens compact system camera since the NX20, NX210 and NX1000 were launched during my tenure being a Samsung trainer for India, Indonesia and Malaysia last year. On first glance it appears to offer the best of all three, in boasting the compactness of the entry level NX1000 and mid-range NX210 with the tilting AMOLED screen of the flagship NX20. The retro rangefinder look with APS-C sized sensor in theory should also be advantageous for this camera.
This allows for creative stills and videos from angles most users might not otherwise have attempted (I would, but I don’t know too many people who are willing to lay down on the floor or go up on a tree to take a particular shot). Rivals from the Olympus Pen and Sony NEX ranges even full-sized dSLR from Nikon and Canon have offered adjustable screens via a compact chassis for the last couple of years, but this is the most compact of the NX range to feature the facility.
Like its forebears, the 20.3-megapixel NX300 has various additional selling points, namely its combination of both a larger APS-C sized sensor as found in consumer digital SLRs, plus Wi-Fi connectivity and a relatively long 2-year warranty.
The Wi-Fi connectivity has allowed Samsung to take inspiration from the world of smartphones and christen this a smart camera, with Android and iOS apps available to link it to other ‘connected’ devices, including Samsung’s own tablets and phones.
The larger chip should draw in photo enthusiasts as well as gadget geeks such as myself. Thanks to that APS-C sensor, the Samsung’s closest rivals remain the Sony NEX, Fujifilm X and Canon EOS-M series. The most recent Sony NEX-5 and NEX-6 camera have Wi-Fi too, making them closer competitors still.
While its feature set might be up to the minute, the NX300’s styling nods to the past however – including the retro leather effect that’s been newly added to the front.
For the purposes of my review, Samsung supplied me with the standard 18-55mm iFunction zoom lens, which came with its predecessors and is a good starter option. However the NX300 does come as a kit with the 18-55mm that for most people should be enough to cover both wide and mid-range angles.
And there is an additional point of difference that may appeal to anyone with a 3DTV: a lens that allows users to shoot in both 2D and 3D was announced alongside this Samsung back in January in the NX 45mm f/1.8 2D/3D.
While Panasonic has offered a 3D lens for its Lumix G range for a couple of years, Samsung’s is the first that allows the shooting of both 3D stills and video (Panasonic’s is 3D stills only), because it utilizes optical image stabilization, the function only works in 2D but not in 3D mode.
For now, however, I’m only testing how the Samsung handles with the standard 18-55mm option.
Samsung NX300: Controls
Control, shape and layout wise the compact yet curvaceous NX300 shares close DNA with the NX1000 and NX210 models that came six months prior and which themselves shared a blueprint. As on the NX1000 there’s a dedicated Direct Link button for interaction with a smartphone once you’ve installed the relevant app, while a more expansive Wi-Fi setting is squeezed between the shooting modes on the top plate dial, as was the case with the NX210.
Traditionalists will however be pleased that creative options such as program auto, aperture priority, shutter priority and manual settings have been maintained on the shooting mode dial alongside a scene and subject recognising fully automatic option.
That said, the NX300 is roughly half a centimetre wider (as opposed to deeper) than the previous generation, this is solely due to the larger back screen. Here this is presented in 16:9 widescreen aspect ratio rather than the more commonplace, native APS-C sensor 3:2 aspect ratio. The camera shoots stills in 3:2 aspect ratio as its default setting, so one side of the screen features a black band which is overlaid with the shooting mode in play, a virtual version of the Direct Link button, plus touch screen options. These include the ability to switch on tracking auto focus, or turn on or off the ability to take a shot by simply tapping the subject on screen.
Though I’m given a touch screen – more on which in the following section – this hasn’t resulted in a paring down of physical controls. Indeed, as on the touch panel Lumix G models from Panasonic, the control offerings here are comprehensive enough for us to be able to avoid using the screen entirely, if desired. I personally welcome the hard-button as opposed to touch-screen in real-life situation where often times I just don’t have the chance to try and press a soft-button (touchscreen) several times before it takes my command.
Rear panel cross keys and dedicated buttons for the likes of menu, delete and playback ensure operation is as fluid as it can be. Just about everything I could conceivably want – even ISO, which here runs up to a dSLR-like ISO 25,600 – falls under finger or thumb. However, just like most dSLR that maxes out at ISO 25,600, the maximum ISO is un-useable, as expected. Too much digital noise for print larger than 4”x 6”
Samsung NX300: Screen
As I mentioned in my introduction, while the NX300 omits the dSLR-like viewfinder of the NX20, also present on the flagship models of rivals such as Sony’s NEX-7 and the Nikon V2, the screen I rely on for composition and playback is made of AMOLED rather than LCD, for better contrast with deeper blacks.
This makes for a more life-like, impact-full appearance when viewing images on the camera itself. Plus, at 3.31-inches the rear plate monitor is larger than most, which is always welcome, as is the relatively huge 768,000 dot resolution.
Then there’s the aforementioned fact that it can be angled and tilted. Really, if you’re not bothered about the lack of a traditional eye level viewfinder, this is the very best in compromise.
Another new addition this time around, as mentioned in the previous section on controls, is the fact that the rear screen is also a touch screen. Again, rivals in the NEX, Lumix G, and Olympus Pen ranges have had this facility for a while. But its inclusion here makes sense – rather than just being an exercise in bandwagon jumping – while also allowing for a more immersive and intuitive operational experience on the Samsung. The responsiveness of the virtual icons and controls was also as instant as I’d wanted.
Samsung NX300: Battery
As is becoming more commonplace, the NX300’s BP1130 lithium ion cell is (re)charged within the camera, with a USB equipped mains plug and connection lead provided for the purpose rather than a standalone charger. This is a means of cutting costs perhaps, but it does also necessitate the camera to be tied up each time the battery is recharged, which means there is less sense in buying a spare battery than there otherwise would be.
Still, with up to 320 shots from a full charge being delivered – which is exactly the same as the performance of the NX1000 – that puts the Samsung right up there with the best of its rivals, such as the Wi-Fi equipped albeit lower resolution Sony NEX-5R at 330 images.
Samsung NX300: Picture quality
The NX300 doesn’t feature an integral flash; instead I get a small clip-on variety as I did with the NX1000 and NX210. This works sufficiently well – in that due to the fact that it’s a little bit further away from the lens it avoids the usual blight of red eye in portrait shots, but it’s annoying nevertheless
I can’t say that I noticed any massive change as a result of the new hybrid AF system in this model compared with its predecessors, but certainly the camera is quick off the blocks. The NX300 visibly adjusts focus and exposure for a fraction of a second with a half squeeze of the shutter release button. Press down fully and shot fires off with a satisfying ‘clunk’ of the shutter.
As mentioned, the default stills ratio is 3:2, as it is on any professional cameras both 35mm film and digital, so the shots here are slightly wider than the 4:3 ratio anyone upgrading from a point and shoot snapper will expect. This obviously suits landscape shots and group portraits.
As with previous generations of NX with 20 megapixel APS-C chips, resultant images are sharp, clear and colour rich – at least with the general-purpose 18-55mm kit zoom attached, though I expect prime lenses should perform much better.
If you leave the lens on its auto focus setting the camera will adjust focus for you as you alter framing or zoom in on the subject; though this does mean that the picture will go soft for a second or two while the camera works out what its intended new subject is.
Closer or smaller items can also fool the AF, so if you want complete control and to avoid focus ‘drifting’, as with a dSLR, manual focusing is once again the way to go.
In terms of transferring images, the camera’s built-in Wi-Fi managed to pick up my local Wi-Fi network within seconds and I had fired off an email to myself directly from the camera within a minute or so.
Samsung NX300: Verdict
While not massively different from its six month old predecessors, Samsung’s 20.3 megapixel, Wi-Fi equipped NX300 would appear to be doing everything right – via retro styling yet modern connectivity options and large APS-C sensor for dSLR-like results.
Even if some of its ideas don’t come across as wholly original in that I’ve seen them before on competing brands, it does mean that there are very few negatives indeed. And, except for the built-in viewfinder or flash, I get everything a consumer-level user could conceivably want in one unit.
This immediately makes the NX300 worth seriously investigating by anyone upgrading from a snapshot camera, who won’t have already invested in lenses and accessories from another competing system. As for me, I’ll hang on to my enormous dSLR with insanely expensive lenses, but then again I’m not the target audience for the NX300